Brilliant. Don’t believe the ‘experts’. Communication is easy. When you know how to communicate. Credits unavailable. Unfortunately.
At a loss to understand why ‘fake news’ is considered ‘new’ news. Everybody has being lying to everybody else since we crawled out of the primordial swamp. To be more precise, believing their own perceptions of reality; packaging and promoting it – for personal gain. This Guardian commercial from a London ad agency in 1986 not only sums up why advertising became a noble profession (through the sheer creativity of simple observation – sadly gone) but also through the fallibility of what people believe and why they believe it. Today’s journos take note. Examine all issues from all angles, then decide. The power of discernment. Thank you for your 3 and half ‘Likes’.
Congrats to all the winners and honourable mentions. A big shout out to Daniel Berman and the judges – A global awards show with world-class standards. Link to site: http://mobilephotoawards.com
After years of being amazed at what was on the net, I’m now increasingly surprised at what’s not. Three years ago I was trawling for a particular ad of Tom’s, not only couldn’t I find it I could barely find any of his work. Outraged, I gathered together as much of his work as I could lay my hands on […]
American photographer Christian Peacock has restored my faith in photography. Digital has reduced the human spirit to a polarised code – you are nothing but a combination of zeros and ones. Not true. Christian shot these beautiful creamy portraits with film. Old school with a touch of the old masters’ aesthetic. The people in these photographs exist. They breathe. They have lives. They have loves. They have triumphs and disasters. They are human. Humanity captured gracefully by a very talented photographer. In my book, old school is doing something real well; with spirit and passion. Christian should be proud of his old school credentials. Please check out his “Making of” blog and learn how analog photography changes the relationship between shooter and subject – the secret sauce that digital has all but forgotten. Source: Blog — Christian Peacock Photography
“The most savage of human kind are the most advanced” Bangambiki Habyarimana
What shocks you initially about a visit to the Nazi death camp in southern Poland is the banality of the place. A banality that belies its infamous place in history as the final resting place of 1.5 million murdered souls. A pool table flat landscape is punctured by rust-coloured brick buildings and a few solitary wooden sentry towers. An intermittent sunny sky adds to the ordinariness of the place. But nothing ordinary happened here. What is extraordinary about the Nazis’ “final solution” was the precision given to the planning, implementation and industrialisation of death. On a massive scale. Cold and concise thought went into the extermination of Jews, Poles, Gypsies, homosexuals, and various religious and political communities the Nazis deemed unworthy of life. Or, indeed, dignity when living. One of the many times my blood ran cold, when visiting Auschwitz, was entering Block 11. Here prisoners were made to stand, four at a time, in a cell smaller than a telephone box – sometimes for weeks or months on end – in suffocating total darkness. There is no language to communicate the horror of block 11. Then came my visit to the gas chambers: Silence is the language of such places.
It took me a while to “process” my visit to Auschwitz-Birkenau and even longer deciding if I should process my photography documenting my visit. I had posted a couple of shots on Facebook but quickly realised the platform was inappropriate and deleted them. I had also “processed” the shots from RAW files taken with my LGG4 mobile phone. I worked on the aesthetics of photography – cropping? Black and white? Or colour? Tints? Trying to prettify my images seemed sordid in the extreme. I stopped and considered the most appropriate way to bear silent witness to the victims of the holocaust. I now publish a selection of my photos below as I shot them. RAW. 16:9 format. No cropping. No retouching. No adulteration. Just observance.
We are living in dangerous times. Crypto-fascism is on the rise again. Trump and Brexit are manifestations of the banality and reemergence of unthinking thuggery. The possibility of today’s thuggery leading to the the death of innocent millions may seem far-fetched to many. Think again. “The people can always be brought to the bidding of their leaders. All you have to do is tell them that they are in danger of being attacked and denounce the pacifists for lack of patriotism and exposing the country to danger.” Hermann Goering. Sound familiar?
Camera never lies? Then change your lens;)
Its always difficult to answer what is the best focal length for a portrait. Here is small preview how different focal lengths can change look of a face. Share this:ShareShare on FacebookClick to share on TwitterClick to share on LinkedIn
I named my blog ‘Time Machine’ for a reason – a camera not only freezes a moment in time but can also explore the space-time continuum within a two-dimensional still photograph. Photographer Stephen Wilkes crafts stunning compositions of landscapes as they transition from day to night.
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