Tagged: Brussels

Man at work. On the set of Larcier Group Belgium photoshoot. Thx to Brussels creative ad agency Good Morning.

New portrait work for Larcier Belgium ad campaign.

New work uploaded to my website.

It’s been a busy couple of months since I launched myself as a professional photographer in June. Some really nice briefs have been coming my way. Keep them coming:) If you get a moment, maybe you could visit my online portfolio and have a browse around to see if there’s anything that catches your eye. Let’s make beautiful pictures together. http://seanhayesphotography.format.com

Hi-diddle-dee-dee. A photographer’s life for me.

Really enjoying my new profession as a photographer. Here is a quick selection of some of my favourite shots since taking the leap in June. Many thanks to the people who have also taken a leap of faith and hired me. You know who you are. Thank you. For more of my work, please visit http://seanhayesphotography.format.com

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Festival faces. Vfestival 2016. Hylands Park. Chelmsford. UK © Sean Hayes

 

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Maxi Jazz. Lead vocalist of British electronica band Faithless at the 2016 Vfestival, Hylands Park, Chelmsford, UK. Client: Roseanna Burns, Paul Stafford Virgin Media UK © Sean Hayes

 

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Ricky Wilson. Lead vocalist of English indie band Kaiser Chiefs at the 2016 Vfestival, Hylands Park, Chelmsford, UK. Client: Roseanna Burns, Paul Stafford Virgin Media UK © Sean Hayes

 

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Car’n’Stuff Campaign – “iPad Geek” Creative Team: Trista Vincent, Declan Byrne. Agency: RMG Dublin Client: Liberty Insurance Ireland © Sean Hayes

 

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Car’n’Stuff Campaign – “Guitarist” Creative Team: Trista Vincent, Declan Byrne. Agency: RMG Dublin Client: Liberty Insurance Ireland © Sean Hayes

 

Sean Hayes’ Photography Portfolio – Cinemagraphs

Cinemagraphs are still photographs brought to “life”. The Dublin-based creative team of Trista Vincent and Declan Byrne have commissioned me to create a suite of images for their Car’n’Stuff campaign for Liberty Insurance Ireland. Lots of fun. More to come. Click on images to see the magic.    Source: Sean Hayes’s Photography Portfolio – Cinemagraphs

Gabi: Latest work posted to my photography website.

Since I launched myself as a full-time photographer earlier this month, commissions have being coming in thick and fast. In between shoots, I’ve taken the opportunity to take casting headshots of some of the models. Voilà Gabi and her beautiful eyes. If you would like to see more of my work, please visit: http://seanhayesphotography.format.com

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Gabi © Sean Hayes

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Gabi © Sean Hayes

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Gabi © Sean Hayes

Feeling honoured to be among the Honourable Mentions at IPPAWARDS 2016

My new photography website.

Someone, somewhere stated that “Good is the enemy of great”. I’ve been fiddling with my new website for weeks trying to make peace between the two. A truce was called. Time to launch myself into my “second life”. Being an advertising art director for the last 25 years has been incredibly rewarding for me – but my real passion now is photography. When you are passionate about doing something,  you tend to do it well, and it shows in the work. Hopefully, my passion for photography will, in time, shine through. If you get a moment, I would appreciate you visiting the site and rummaging around. Please feel free to suggest ideas and thoughts about the site and how I could make it better. Good enough may be the enemy of great, but the will to get better is your best weapon in the fight to do great work.

Link to site: http://seanhayesphotography.format.com

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New Photography Website.

“There is nothing worse than a sharp image of a fuzzy concept.” Ansel Adams

Ansel Adams’ famous quote about technical proficiency in photography is more apt today than ever. Camera manufactures and photography ‘gearheads’ continue to peddle a narrow narrative concerning the importance of mathematically machined photographic equipment and its importance if you want to ‘shoot like a pro’. British photographer Pennie Smith has proven otherwise. Her iconic photo of Paul Simonon smashing his guitar on stage during a show in New York City in 1979 is a perfect example of the visceral power of an imperfect photograph that is perfectly flawed. It’s out of focus and grainy. A technocrats worst nightmare. Yet it became one of the most famous images in Rock’n’Roll when used as cover art for The Clash’s London Calling album. A fuzzy photo that captures the energy and vitality of life will always win out against a sterile photo that’s perfectly sharp.

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London Calling Album Cover © Pennie Smith

Interview with Pennie Smith via Soundcloud: https://soundcloud.com/showstudio-official/showstudio-punk-photography-4